IEMA trains artists, broadens aesthetic horizons and provides professional orientation within the New Music field.

Galactic Soundscape

An interactive sound experiment

Experience now

Musical concept: Diego Ramos Rodríguez | Recording: IEMA-Ensemble

Ne
ws

© Barbara Fahle

IEMA-Ensemble in a Video Stream

Spring Concerts 1-3

Vid
eos

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IEMA Imagefilm
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Workshop Hans Zender - IEMA & EM in Meersburg
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Ulysses Ensemble & IEMA-Ensemble at Gaudeamus Muziekweek Utrecht 2018
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Composition Seminar, 2017


Allons à Paris!

Romanfabrik e.V., Frankfurt am Main, Germany
Die Musik Europas
Das IEMA-Ensemble 20/21 zu Gast in der Romanfabrik
Im Rahmen des Studiengangs "Internationale Ensemble Modern Akademie" an der Hochschule für Musik und Darstellende Kunst Frankfurt (HfMDK)

Iannis Xenakis: Morsima-Amorsima (1962)
Georges Aperghis: Le Corps à corps (1978)
Kaija Saariaho: Oi Kuu (1990)
Martin Matalon: Lineas, puntos, planos (2018)
Alex Nante: Mercurius Fugiens (2020)
Olivier Messiaen: L'Alouette calandrelle, aus: Catalogue d'Oiseaux (1958)
Emmanuel Nunes: Versus III (1987-90)


IEMA-Ensemble 2020/21 zu Gast bei soundcheck im Eulensaal

Universität Kassel, Gießhaus, Kassel, Germany
Im Rahmen des Studiengangs "Internationale Ensemble Modern Akademie" an der Hochschule für Musik und Darstellende Kunst Frankfurt (HfMDK)

Salvatore Sciarrino: Muro d'orizzonte - per flauto in Sol, corno inglese e clarinetto basso in Sib (1997)
Camille Pepin: Luna (2016)
Liza Lim: Ochred String (2008)
Anthony Cheung: SynchroniCities (2011-12)

Imp
ress
ions

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There is a kind of oral tradition, which grew over years of working with the composers.
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I was very happy to have that year of playing contemporary music intensively.
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We train musicians here who want a broad level of expertise, in order to change society as artists.
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Ultimately, you go on stage and have fun – it’s a lot of rock’n’roll.
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There are similar academies, but not on this high level.